In the program note, Artistic Director, Rosie Dennis describes Urban Theatre Project’s latest site-based, experiential and multifarious arts offering as an “ode” to the history and people of Blacktown.
And Right Here. Right Now. (RHRN) definitely felt like an ode to place for me. Not an elaborate, exultant or pompous kind of ode (something the word might conjure for some) but a musing, light-hearted, deep-feeling and honest kind of ode. Think Pablo Neruda’s Odes to Common Things.
Part installation and performance, part urban guided tour, part welcome dinner, RHRN is a bit like a choose-your-own-adventure where you’re not quite sure what the journey holds or how it finishes. You’re both observer and player moving through a series of scenes or sites…
RHRN is a joyful, honest, intriguing, curious, playful and delicious experience all at once. But it’s real delight lies in it’s praise of the ‘common’ – everyday places and people are remembered and hero-ed, and well they should be.
Read my write-up for Audrey Journal in full here
Originally published here. February 1st 2016
Last Sunday I went to the theatre. It was a show that had caught my attention earlier in the week in my Facebook feed. Urban Theatre Projects was posting about it. The Belvoir was posting about it. It had popped up in several status updates of friends, too.
The name didn’t give much away. But the promo shots spoke volumes. At least they did to me. Now, I’m a keen consumer of the arts and culture, from screens to stages and concert halls to the streets; and I’m a self-defined ‘cultural omnivore’, so my palette thrives on the alternative and diverse, but when a man clearly of ‘Middle-Eastern appearance’ (actor Hazem Shammas) hits my feed accompanied by words like theatre, Belvoir, Surry Hills and Muslim-Australian, it tweaks my interest in a special kind of way. Read on and you’ll understand why. Continue reading
Qanun, oud and Vietnamese zither meet alternative/indie/rock in Bankstown. Does that tweak your curiosity? It did mine.
In a nutshell this album is the product of two artistic residencies undertaken in Bankstown by Toby Martin through Urban Theatre Projects (UTP). Read about the origins of the project here. Listen to the artists interviewed on ABC RN here. Buy the album here. It’s worth every cent and more.
In the radio interview (link above), Martin says that the album isn’t documentary, but to me it feels part documentary, part social and political commentary. Continue reading